In the mid-nineteenth century, James Wickham was a wealthy farmer with a large estate in Cutchogue, Long Island. His extensive property included a mansion and eighty acres of farmland that were maintained by a staff of servants. In 1854, Wickham got into an argument with one of his workers, Nicholas Behan, after Behan harassed another employee who refused to marry him. Several days after Behan's dismissal, he crept back into the house in the dead of night. With an axe, he butchered Wickham and his wife, Frances, and fled to a nearby swamp. Behan was captured, tried, convicted and, on December 15, became one of the last people to be hanged in Suffolk County. Local historians Geoffrey Fleming and Amy Folk uncover this gruesome story of revenge and murder.

Straighten your cape and ready your fangs . . . the ghosts are biting back. The spookiest story you'll read this year is the ghoulish follow-up to Alex Foulkes's highly acclaimed Rules for Vampires. A vampire and a ghost being friends is unheard of. It makes no sense. The two factions have despised one another for all eternity. But . . . Leo the vampire and Minna the ghost have battled together side-by-side, they're sisters-in-arms, they're best friends, and they'll have to work together to vanquish a new, deadly threat. Summoned to the Ghostly Realm for the murder of the Orphanmaster, Leo must complete three tasks to prove herself worthy of her unlife, each more treacherous than the last. Can Leo convince the Ghostly Realm of her innocence and earn her freedom, or will she be trapped there forever? A monstrously funny and devilishly dark new adventure in Alex Foulkes's Rules for Vampires series, illustrated throughout by the award-winning Sara Ogilvie, Ghosts Bite Back is perfect for fans of Lemony Snicket and Skulduggery Pleasant to sink their claws into. Praise for Rules for Vampires: 'A wickedly fun debut, with a wonderfully strong girl hero.' Cressida Cowell, Children's Laureate 'Fans of fast-paced, well-written gothic romps will devour Rules for Vampires.' Phil Earle, bestselling author of When the Sky Falls 'Deliciously dark, fangtastically feisty and gloriously gothic!' Laura Ellen Anderson, author of Amelia Fang 'Brilliant! It's a deadly funny, twisty, gothic romp with the loveliest vampire. Sara Ogilvie's illustrations are the perfect match.' Jenny McLachlan, bestselling author of Land of Roar 'Wonderfully atmospheric, humorous and touching.' Radiya Hafiza, author of Rumaysa

Chanel's J12 watch revolutionized the standards of watches for women, combining technical sophistication with the allure of modern design. The J12 has evolved into a classic watchmaking icon of the twenty-first century. Since its arrival just over twenty years ago, the J12 has drawn its inspiration from Chanel's drive to shake up the codes by combining a daring artistic approach with superlative technical finesse. The J12 watch transformed ceramic into a precious material, and rewrote two hundred years of watchmaking with the innovative brilliance of its design. A text by noted watch connoisseur Nicholas Foulkes explores the extraordinary conception, execution and history of the Chanel J12. Enhanced by a strikingly original selection of fine photographs, this volume celebrates twenty years of the most beautiful and technically refined watches ever worn on the wrist. With 108 illustrations in colour

Should there be firmer restrictions on trade, with more policies aimed at protecting its environmental impacts, or would the environment benefit most from unrestricted free trade? Do importing countries have a responsibility only to their local ecosystems, or are they also responsible for environmental degradation caused by the production of traded goods in exporting countries? Trading the Environment examines both the dependence and the effects of international trade on the earth's life support systems and looks at ways in which trading regulations could be adapted to promote ecologically sustainable economic development. It addresses the issues from a fully integrated approach, focusing on the interrelations between ecosystems, economic development and trade. The authors provide a carefully constructed ecological and economic analysis of trade and the environment, examine the existing legal and institutional frameworks and set out 16 recommendations to achieve environment beneficial trade at both national and international levels. Trading with the environment was originally commissioned by the Swedish government and is already regarded thereon essential reference. It makes an excellent introduction as well as constructive analysis, both for students and for policy-makers and professional economics and other scientists working on the issues. Published in 1995

First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. 'New Accents' is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.

Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1969 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.

Straighten your cape and sharpen your claws . . . being a vampire is harder than it looks! The spookiest story you'll read this year from Alex Foulkes, illustrated by Sara Ogilvie. 'A wickedly fun debut, with a wonderfully strong girl hero' Cressida Cowell, Children's Laureate There are highs and lows to being a vampire. On one claw, you get cool powers like beastly strength and hypnotism and the ability to GRIMWALK. On the other claw, however, vampires are bound by the Vampiric Laws: rules to protect the balance between the worlds of the Living and the Undead. And unfortunately, 11-year-old Leo has just forgotten rule number one . . . The Rules for Vampires don't tell you what to do when you make a ghostly enemy, or accidentally restart an ancient war. But Leo and her very unusual family are more than up to the job. A monstrously funny and devilishly dark new adventure from debut talent Alex Foulkes, illustrated throughout by the award-winning Sara Ogilvie, Rules for Vampires is the series that fans of Lemony Snickett and Skulduggery Pleasant will devour for breakfast. *A spooky sequel to Rules for Vampires will BITE BACK soon - coming this Autumn* Praise for Rules for Vampires: 'Fans of fast-paced, well-written gothic romps will devour Rules for Vampires' Phil Earle, bestselling author of When the Sky Falls 'Deliciously dark, fangtastically feisty and gloriously gothic!' Laura Ellen Anderson, author of Amelia Fang 'Brilliant! It's a deadly funny, twisty, gothic romp with the loveliest vampire. Sara Ogilvie's illustrations are the perfect match' Jenny McLachlan, bestselling author of Land of Roar 'Wonderfully atmospheric, humorous and touching' Radiya Hafiza, author of Rumaysa

Gritty Australian crime drama set in mid-1980s Melbourne. 17-year-old Josh, or 'J' (James Frecheville), goes to live with his estranged grandmother Cody (Jacki Weaver) and uncles Pope (Ben Mendelsohn), Craig (Sullivan Stapleton) and Darren (Luke Ford) after his mother dies from a heroin overdose. It turns out that Cody is a fearsome crime matriarch presiding over a family of armed robbers, drug dealers, murderers, gangsters and sociopaths. Josh must now navigate his way through this explosive 'animal kingdom' of violent crime, helped and hindered in equal measures by police detective Leckie (Guy Pearce).

Originally published in 1994, Paradise Lost? is the outcome of a unique collaboration between economists and ecologists initiated by the Beijer Institute of the Royal Swedish Academy of Sciences. The book examines how the loss of biodiversity is one of the most serious problems the world faces, and suggests that new, interdisciplinary thinking is required to safeguard both us and the biosphere from the effects of species extinction. The book examines how an integrated, interdisciplinary approach to the conservation of biodiversity can understand and tackle the issue. It provides an overview of the causes of the problem, and examines previous approaches to dealing with it. The book also addresses how the loss of biodiversity affects natural systems and provides an examination of environmental policy, while discussing how this has been affected by the ecological limits to economic activity. This book will be of interest to both academics and students of environmental sciences, economics and politics.

Collection of all seven films from the highly successful comedy series. In 'Police Academy' (1984), a new mayor offers a motley crew of misfits the chance to oil the wheels of justice when he lifts the restrictions that normally apply for recruiting new members to the police force. The academy has the onerous task of knocking them into law-enforcing shape. 'Police Academy 2 - Their First Assignment' (1985) sees six of the inept recruits being transferred to another precinct, where the lieutenant's promotion depends on them flunking their training course. They also face trouble on the streets in the form of a gang of sociopaths, led by a psychobabbling lunatic. In 'Police Academy 3 - Back in Training' (1986), the police budget is being cut, so one of the two training academies faces the chop. It's up to the former graduates of Commandant Lassard (George Gaynes)'s academy to save their old training ground. In 'Police Academy 4 - Citizens On Patrol' (1987), our rookie cops try to involve the local community in order to prevent crime. However, their efforts are thwarted by Captain Harris (G. W. Bailey) who is determined to scupper the plans of the group which has caused him so much trouble in the past. 'Police Academy 5 - Assignment Miami Beach' (1988) sees Commandant Lassard finally reach retirement age. The whole gang fly down to Miami to watch him receive an award. The only problem is that he's picked up the wrong bag at the airport and is now in possession of some stolen diamonds belonging to a bunch of crooks. In 'Police Academy 6 - City Under Siege' (1989), a criminal holds the city to ransom by masterminding a spate of burglaries and fraud. To make matters worse, the rookie cops have a plan to stop him. 'Police Academy 7 - Mission to Moscow' (1994) sees the fabled police team helping out in post-Soviet Union Russia. The Russians have a problem on their hands when Mafia godfather Konali (Ron Perlman) hatches a plan to control the entire world via an addictive computer game. The fate of the planet lies in the police academy's hands, much to the planet's concern...

Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. As a director of spectacular, and commercially driven, entertainments, Irving anticipated Hollywood directors from D.W. Griffith to Stephen Spielberg. And as manager of the Lyceum Theatre, where audiences included the leading public figures of the day, he controlled every aspect of the performance. This collection of essays by leading theatre scholars explores each element of Irving's art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. Like Wagner, Irving was a proponent of a holistic approach to the stage, that is, blending together acting, painting, music, and architecture to create harmonious, balanced, and artistic theatre. Irving emerges not only as the peer of such eminent contemporaries as Tennyson, Sullivan, Shaw, and Burne-Jones, but also as a powerful influence on the twentieth-century theatre.

In this book, Folke Tersman explores what we can learn about the nature of moral thinking from moral disagreement. He explains how diversity of opinion on moral issues undermines the idea that moral convictions can be objectively valued. Arguments on moral thinking are often criticized for not being able to explain why there is a contrast between ethics and other areas in which there is disagreement, but where one does not give up the idea of an objective truth, as in the natural sciences. Tersman shows that the contrast has to do with facts about when, and on what basis, moral convictions can be correctly attributed to an agent or speaker.

'A must-read... Fascinating' JO BRAND We need to rethink the conversation around mental health - psychologist Lucy Foulkes explores how and why. How do mental health problems arise? How do we distinguish between the 'normal' challenges of modern life and actual illness? Is society really experiencing a new mental health crisis? In this urgently needed book, psychologist Lucy Foulkes investigates what we know about mental illness - and shines a light on what we don't. It offers a profound new approach to how we think, talk and help when it comes to mental health. (Previously published in 2021 in hardback under the title Losing Our Minds.) 'Captivating...engaging and lucid' Sarah-Jayne Blakemore 'Clear-headed, compassionate and, ultimately, optimistic' Mark Haddon 'Thorough, wise...much needed' Mark Rice-Oxley

Curatorial Challenges investigates the challenges faced by curators in contemporary society and explores which practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. Bringing together international curators and researchers from the fields of art and cultural history, the book provides new research and perspectives on the curatorial process and aims to bridge the traditional gap between theoretical and academic museum studies and museum practices. The book focuses on exhibitions as a primary site of cultural exchange and argues that, as highly visible showcases, producers of knowledge, and historically embedded events, exhibitions establish and organize meanings of art and cultural heritage. Temporary exhibitions continue to increase in cultural significance and yet the traditional role of the museum as a Bildung institution has changed. As exhibitions gain in significance, so too do curatorial strategies. Arguing that new research is needed to help understand these changes, the book presents original research that explores how curatorial strategies inform both art and cultural history museums in contemporary society. The book also investigates what sort of critical, transformative, and perhaps even conservative, potential can be traced in exhibition cultures. Curatorial Challenges fosters innovative interdisciplinary exchange and brings new insights to the field of curatorial studies. As such, it should be of great interest to academics, researchers, and postgraduate students engaged in the study of curatorial practice, museum studies, the making of exhibitions, museum communication, and art history.

'Downright fascinating...indispensable reading' Daily Telegraph 'Nicholas Foulkes' excellent...book is beautifully illustrated. Captivating' Daily Mail For more than 25,000 years, humanity has sought to understand and measure the passing of time, in the process creating some of the most remarkable and beautiful timepieces. Now, in Nicholas Foulkes' lavishly illustrated book, the battle to tame time is brought vividly to life. From the baboon bone dating back to the palaeolithic era that marked the lunar cycle and on to the 3500-year-old water clock at Karnak, from our earliest days mankind has sought to track the passing of time. More recently, the struggles to measure longitude and to create a workable train timetable across the vast, open expanse of the United States have inspired new developments. In Time Tamed, Nicholas Foulkes reveals how we have done this by focusing on some of the most significant developments in timekeeping across the ages. He also highlights the most stunning and lavish clocks and watches in history - from Big Ben to Rolex - for telling the time has never been purely about function, but also about design. The book is filled with remarkable tales, from the 14th century monk in St Albans who created one of the first mechanical clocks to the Holy Roman Emperor who built a clock into an automated ship that fired a cannon to summon guests to dinner. More recently, there was the Surrey woman who used a Napoleonic era watch to 'deliver' the accurate time to London shopkeepers in the wartime era of Churchill, or the Swiss denture maker who solved a tricky problem for the Indian Raj's polo players. Time Tamed is a book you'll want to spend many hours enjoying.

This practical guide, an updated edition of Growing Your Own Vegetables, draws on the experience and knowledge of the RBGE's Edible Gardening team to provide simple and concise instructions that will have you eating your own crops all year round.

The notion that certain mental or physical events can capture attention has been one of the most enduring topics in the study of attention owing to the importance of understanding how goal-directed and stimulus-driven processes interact in perception and cognition. Despite the clear theoretical and applied importance of attentional capture, a broad survey of this field suggests that the term "capture" means different things to different people. In some cases, it refers to covert shifts of spatial attention, in others involuntary saccades, and in still others general disruption of processing by irrelevant stimuli. The properties that elicit "capture" can also range from abruptly onset or moving lights, to discontinuities in textures, to unexpected tones, to emotionally valenced words or pictures, to directional signs and symbols. Attentional capture has been explored in both the spatial and temporal domains as well as the visual and auditory modalities. There are also a number of different theoretical perspectives on the mechanisms underlying "capture" (both functional and neurophysiological) and the level of cognitive control over capture. This special issue provides a sampling of the diversity of approaches, domains, and theoretical perspectives that currently exist in the study of attentional capture. Together, these contributions should help evaluate the degree to which attentional capture represents a unitary construct that reflects fundamental theoretical principles and mechanisms of the mind.

Modern hydrology is more interdisciplinary than ever. Staggering amounts and varieties of information pour in from GIS and remote sensing systems every day, and this information must be collected, interpreted, and shared efficiently. Hydroinformatics: Data Integrative Approaches in Computation, Analysis, and Modeling introduces the tools, approaches, and system considerations necessary to take full advantage of the abundant hydrological data available today. Linking hydrological science with computer engineering, networking, and database science, this book lays a pedagogical foundation in the concepts underlying developments in hydroinformatics. It begins with an introduction to data representation through Unified Modeling Language (UML), followed by digital libraries, metadata, the basics of data models, and Modelshed, a new hydrological data model. Building on this platform, the book discusses integrating and managing diverse data in large datasets, data communication issues such as XML and Grid computing, the basic principles of data processing and analysis including feature extraction and spatial registration, and modern methods of soft computing such as neural networks and genetic algorithms. Today, hydrological data are increasingly rich, complex, and multidimensional. Providing a thorough compendium of techniques and methodologies, Hydroinformatics: Data Integrative Approaches in Computation, Analysis, and Modeling is the first reference to supply the tools necessary to confront these challenges successfully.

This handsome boxed set of notecards features art based on the wild and edible seaweeds of Ireland. The set contains six stunning designs, two of each. Rich colors and bold graphic shapes give a modern edge to a classic subject with timeless naturalist appeal. The box top is textured to evoke the printmaking paper of the original art.

In the early 1920's, immaculate gentleman, Jacques Doucet descends into the world of anarchist art, the occult and the dark turmoil of his past - involving the death of his beloved Madame R. A disastrous journey leads the couturier and patron of the arts to confront the celebrated bohemians of the city, including Max Jacob, Andre Breton and Picasso. When troubled Doucet acquires the world's most dangerous painting, it causes him to hack at the root of Picasso's darkest secrets, unveiling modern art's incredible genesis.

Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. He was also the director of spectacular, and commercially driven, entertainments and as the manager of the Lyceum theatre, he controlled every aspect of the performance. First published in 2008, this collection of essays by leading theatre scholars explores each element of Irving's art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. This book will be of interest to those studying the history of theatre.

Accents and dialects are constantly undergoing small variations over time, but evidence shows that change may have become increasingly rapid in the past few decades. 'Urban Voices' presents one of the few recent surveys of this phonological variation and change in urban accents across Great Britain and Ireland. Each of the specially commissioned chapters is divided into two parts. The first provides a detailed description of accent features within one or more urban centres, including information on social and stylistic variation and ongoing change. The second discusses a range of current theoretical and methodological issues. Some chapters present wholly new data based on fieldwork carried out specifically for inclusion in 'Urban Voices', while others summarise data from well-known research, up-dated and reanalysed in accordance with new findings. Containing copious illustrative and pedagogic material, this textbook presents a clear pathway to state-of-the-art research for students of sociolinguistics, dialectology, phonetics, and phonology at advanced undergraduate and graduate level. In addition, the detailed descriptive data and the accompanying cassette constitute a valuable resource for students and teachers of English, clinicians and speech therapists, forensic phoneticians, researchers in speech recognition and speech synthesis, and actors. Contributors: Deborah Chirrey, Edge Hill University College / Beverley Collins, Rijks Universiteit Leiden, Netherlands / Gerard J Docherty, University of Newcastle, UK / Paul Foulkes, University of Leeds, UK / Nigel Hewlett, Queen Margaret College / Raymond Hickey, University of Essen, Germany / Paul Kerswill, University of Reading, UK / Anne Grethe Mathisen, University of Oslo, Norway / Kevin McCafferty, Universitetet i Tromso, Norway / Inger Mees, Copenhagen Business School, Denmark / Lesley Milroy , University of Michigan, USA / Mark Newbrook, Monash University, Australia / James M Scobbie, Queen Margaret College, UK / Jana Stoddart, Olomouc, Czech Republic / Jane Stuart-Smith, University of Glasgow, UK / Laura Tollfree, Monash University, Australia / Peter Trudgill, University of Fribourg, Switzerland / Alice Turk, University of Edinburgh, UK / Clive Upton, University of Leeds, UK / Dominic Watt, University of Leeds, UK / J D A Widdowson, University of Sheffield, UK / Ann Williams, University of Reading, UK.